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thedailyreddington:

redandlizzie:

nbcblacklist:

He’s coming…

Official Memorandum to Meera Malik:  This is hot.  

accurate statement is accurate.

Oh God…… oh my God….  this is perfection.  COME ON MONDAY!!!!

–BZ

(Source: jimmysyellowesteem, via thedailyreddington-deactivated2)

7 years ago, 652 notes
Tagged: blacklist, the blacklist, reddington, Raymond Reddington, nbcblacklist,

pensinpeoplesnecks:

“Ours is a friendship forged once in this life and again in the next. Goodbye, my brother”.

<3 Dembe <3

7 years ago, 100 notes
Tagged: blacklist, the blacklist, dembe, reddington, james spader,

nbcblacklist:

It’s coming…

I. AM. DYING.  Tonight’s episode is going to be epic.
–BZ

(via fuckyeahreddington)

7 years ago, 223 notes
Tagged: blacklist, the blacklist, james spader, reddington, ressler,

The Blacklist: Unanswered Questions Vol. 3 - Gina Kanetakos

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By: Baby Z

As mentioned previously, these Unanswered Questions will be focused on each particular episode, and the questions that arise each week.  For the show’s overall unanswered questions, please see my VOL. 1 article.  

Unanswered questions arisen in “Gina Kanetakos” (S1:E6):

  1. If I’m not mistaken, isn’t at the beginning of the episode, isn’t Tom doing every single thing that guilty people do, from getting angry & defensive, turning it around on the Lizzie then he tries to make jokes about it (Tom Bond), this moves on to attempting to guilt her into feeling bad for doubting him, and finally attempting to call her bluff by challenging her to call the FBI.  Being a profiler - shouldn’t she know all of this?

  2. Is Gina Zanetakos really Tom’s lover  (all signs point to NO by end of episode)  Why would RR lie about this if it was a lie?

  3. What is Cooper’s involvement in the “incident in Kuwait,” what is the incident and how is RR connected?

  4. Is Walter Burris really a school administrator or is he assisting in Tom’s story *ANSWERED*  He was really the school administrator but not the one Tom interviewed with…

  5. Wouldn’t someone of GIna’s particular “level” of crime on the totem pole have safeguards against anyone so easily obtaining her messages? 

  6. Tom is dressed awfully casually in the photo of him outside Angel Station in baseball hat, khakis and a blue ¾ sleeved shirt for a job interview with a headmaster of  a private school don’t you think?

  7. Having had her scar at least since she was 14, how has Lizzie not realized yet that it matches that of the secret boxes?

  8. When RR’s having 2nd phone convo with Hakim about payment not having been received yet, does he sort of motion or give a look to his security guy when he says that he doesn’t care if the wedding is SATURDAY, no payment - no shipment?   *CONFIRMED - although the “look” was to Lizzie, not his security person*

  9. Wonder if there was a double (or hidden) meaning to RR’s “That’s my girl” comment regarding Lizzie.

  10. When searching in the shipping containers for the bomb why were they wasting their time looking in containers with just crates & boxes when they know the bomb is a CAR?

  11. With the RR connection now to Gina and the Russian spy, once again we are left to wonder what is his plan in all of this ultimately and why try to set Tom up, if that is what’s happening.  If RR really cares about Lizzie, why would he want to do this?  (Hoping to turn her to life of crime with him?)

  12. If Tom’s truly innocent and really who he says, why are they being surveilled, surveillance guys pointed out that they now know Tom’s not working for RR, insinuating he’s working for someone.  In episode 1, RR mentioned he had a list of 5 approved security that Cooper could choose 2 for RR.  Could the men doing the surveilling be another 2 that were on RR’s approved security and are actually working for RR?

  13. Red pulled out the name of Gina from his blacklist and Gina pulled out his name as the mastermind.  Why would Red help catch Gina when there was the danger of his name popping-up? (maybe b/c he assumes he’s under an immunity agreement?)


    ANSWERS TO PREVIOUS VOLUMES:

    During Tom’s interrogation, he mentions that he & Lizzie didn’t STAY at the Angel Station Hotel during their time there, he only went there for the “interview” - this would answer my question about how it’s possible Lizzie had no knowledge of the murder at the time and how it was possible she didn’t remember the name of the hotel right away if they had just stayed there.  


Have a tutti fuckin frutti day,
-BZ

7 years ago, 5 notes
Tagged: blacklist, the blacklist, blacklist unanswered questions, reddington, james spader,

The Blacklist: The One Where Gina Zanetakos is a Bad Ass (S1:E6) Gina Zanetakos

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By: Baby Z

BE SURE TO BE ON THE LOOKOUT FOR THE BLACKLIST’S EPISODE 6 “KICK ASS REDDINGTON QUOTES” ARTICLE, ALONG WITH THE “UNANSWERED QUESTIONS VOL. 3” ARTICLE, IN WHICH I WILL ALSO COVER SOME OF THE PREVIOUS VOLUME’S UNANSWERED QUESTIONS WITH ANSWERS! 

“Gina Zanetakos” starts off showing someone doing cocaine, building a bomb, blowing up car while a woman witnesses it.  She asks the bomb builder if he can make it radioactive.  He confirms he can in 48 hours, she responds she wants it in 36 and walks away, thus indicating she’s somewhat a bad ass.

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Meanwhile, Tom & Lizzie are having it out at their house, Tom is claiming no knowledge of the “secret box” or any of its continents, is angry that she would think he’s responsible for the Russian spy’s death at Angel Station.  He even calls himself “Tom Bond” at one point.  If I’m not mistaken, isn’t he doing every single thing that guilty people do, from getting angry & defensive, turning it around on the other person then they try to make jokes about whatever it is, this moves on to attempting to guilt the other person into feeling bad for doubting them, and finally attempting to call her bluff by challenging her to call the FBI.  Being a profiler - shouldn’t she know all of this?  Lizzie calls FBI, both Keens are brought in, Tom with Malik and Lizzie’s put on leave until further notice by Cooper.

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So of course, she meets up with RR who tells her about this episode’s villain, Gina Zanetakos, a corporate terrorist, and the best of the bunch.  If Lizzie wants to find the truth about her hubby, she needs to find Gina, because RR tells her she is also Tom’s lover.

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Tom maintains his innocence, that he was in Boston during the same time of the murder for an interview and gives her the name of the school that it was a Walter Burris he interviewed with.  Malik points out how odd it was that Walter had Tom meet him at Angel Station rather than at the school for his interview.

Ballistics confirm the gun was the one used to kill Folken.  But a partial print on one of the magazine casings was NOT Tom’s, nor did it bring up any matches in their database.  Cooper informs Ressler/Malik that RR has brought them another case, Ressler and Malik both have issue with Lizzie working while her husband’s under questioning, but Cooper basically doesn’t give a shit.

Lizzie’s briefing on Zanetakos:  She has an assumed name Shubie (really?) Hartwell, who reached out to RR the year before to broker a deal to have a Supreme Court judge assassinated who was the swing vote in a case that could have cost her clients billions.  After a quick search on Shubie, we discover she arrived in the US the previous day and her credit card had just been used an hour ago buying drinks.  Also, Lizzie tells Cooper she feels like she’s seen Shubie before.

Meanwhile, “Shubie” is about to have sexy time with a gentleman who upon the hope of getting a piece of Shubie ass, pulls out confirmation that her shipment is officially on its way, she takes off her shirt, revealing a kick ass outfit (and body) and while biting his neck, injects him with something that, of course, kills him.  I did my damndest to find a picture of said outfit and was completely unsuccessful.

During this, Malik is at the Rothwell School meeting with Walter Burris, she shows him a picture of Tom asking if he’s the one he met at Angel Station coffee shop to interview him and before we get an answer, we cut back to Shubie who’s covering her tracks in the hotel room, leaving a bottle of prescription pills next to the dead dude, removing her wig, etc..,  She walks out and as she gets to elevator it beeps so she 180’s it, and Lizzie & Ressler are literally about 2 seconds behind her.  Of course Ressler’s doing his weekly “I don’t trust you” routine with Lizzie about her even being involved in anything FBI-related right now.

They discover dude’s dead body, Ressler leaves room to check security footage, just as Shubie is getting on elevator when, of course, she gets stopped just as the doors about to close by what appear to be an entire girl’s volleyball team.  And, as the door was closing AGAIN, Ressler stops it and gets on, He’s on his phone, Shubbie tries to remain unnoticed but when they get to main floor, Ressler is all of a sudden a gentleman and holds the elevator door open for the v-ball team, only when they exit, he sort of senses that 1 person is still there.  He barely gets his head turned around when WHAMMMMMO!! Shubie knocks him straight into next week and a bad ass elevator fight ensues.

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I gotta say, I am loving me some Shubie - she’s one bad ass bitch.

Lizzie finds dead guy’s cell phone in his jacket pocket, Ressler gets his ass handed to him & briefly loses consciousness from a killer head lock a la Shubie and wakes up just at the same that Lizzie finds Shubie’s name in dude’s phone and calls the number.  Turns out, Shubie’s cell phone dropped in the elevator during the fight because it’s Ressler who answers. When Lizzie asks why he has her phone and  did he catch her and stop her, Ressler awesomely answers “Not exactly” while still laying on the elevator floor bleeding and ass kicked.

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We discover back at FBI headquarters that upon analyzing Shubie’s phone, it was, and I quote, a treasure trove of messages, that she was in constant contact with a multinational company, but stating more worrisome than THAT was a call that came in 3 hours ago from Belgium stating a change of plans and they’d be going with Cobalt 60, so the FBI knows there’s a dirty bomb involved but has no idea the target.

OK can I just say that wouldn’t someone of her particular “level” of crime on the totem pole have safeguards against anyone so easily obtaining her messages? 

Lizzie/RR meet again and she tells him their best guess on the dirty bomb target is central US (based on the 4pm central time message they intercepted,) dead dude from hotel was Nidi Midris, an attache at the Turkish embassy. RR basically said Gina’s not going to detonate the bomb, someone hired her and asks if they have found proof of Gina’s connection to Tom yet, at which Lizzie lashes out that there hasn’t been one link between the two and that Tom is innocent damn it.  
Malik returns from her meeting with Walter Burris, and asks Tom if the man in a photo she hands him was the man he interviewed with and he was not. Lizzie’s watching from the next room and she says aloud to herself that he’s being set up.  Tom brings up that someone’s doing this to him, mentions the picture taken of him leaving the hotel and this sparks something in Lizzie. She grabs the photo of Tom outside the hotel from evidence board and, walking about 15 feet from him is what appears to be Shubie. 
Ressler/Lizzie arrive with several geared up enforcement agents at where I’m assuming Shubie was staying.  Of course she’s not there so the scour her room finding a plethora of guns, various papers, Lizzie sits down to read something and notices a silver hinge on the floor next to her, a hinge to a vent that contains an identical wooden box to the one she found in her & Tom’s home.  This box contains many “Shubie” passports but also several pictures, including that of the hotel dude she killed earlier and also one Viktor Folken.  

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Lizzie comes to the conclusion that Gina was the one who killed Folken and that she’s actually an assassin, just in time for one of the geared up enforcement agents to procure a book by Shubie’s bed that contained a picture of Tom with someone’s arm around him, but the picture doesn’t show whose arm. Ressler takes the photo from her for evidence and is suddenly on her side again when he tells her that it’s admirable she’s sticking by Tom but that she needs to start thinking about protecting herself it looks like.

Next we find Lizzie/RR at a gazebo in a park, she tells him about Tom’s picture in “Shubie’s” book and says that even though Tom denies knowing her it’s clearly not the case and that part of her is saying that RR is behind the entire thing trying to ruin her life (uh, why exactly?)  Shes crying, if Tom isn’t who she’s thought he was, doesn’t know how she’ll handle everything without him.  They have a touching “you can trust me” moment, she tells him she needed him to be wrong about Tom and he grabs her hand.

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Later between Lizzie/Ressler/Cooper:  Cooper’s telling Lizzie he thinks if she comes across incriminating evidence against Tom in the field, he thinks she’ll suppress it.  They discuss that from Gina’s’ hard drive they found money she wired to the bomb making dude (Maxwell Rudiger) in Belgium.  Despite pretty much hating her, doubting her, and at one point flat out calling her a possible accomplice, they’re gonna have to go ahead and continue using her so RR will track the bomb dude down mmmmkay?

Lizzie returns to RR’s place & he’s on the phone with Hakim again (whom he was conducting an art transaction with at the beginning of the episode) sternly telling him he absolutely will not ship the painting out with having received payment, out as he hasn’t received payment yet, and that his sources tell him the wire was diverted to New Orleans.  He hangs up on Hakim and has a chat about bomb dude, stating he’s a tremendous bomb maker. Lizzie informs RR of the wire transfer from Gina to Rudiger, so RR states that Rudiger then is the link - the one that can get her to Gina who can get her to Tom. 

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After asking for his help finding Rudiger, RR jumps on a plane and the next scene he’s opening a bottle of wine with Rudiger, pontificating that he knows Rudiger’s using the Cobalt 60 and that they both know there’s only 1 reputable Cobalt supplier and that’s “their friend” Yuri.  He tells him that is a problem because once the bomb leads the FBI to Yuri, he will lead them to RR.  RR asks Rudiger for help in telling him about the device he’s made for Gina,  but Rudiger won’t betray her trust just like he wouldn’t do that to RR and RR tells him, oh well too bad so sad I have a really interesting deal going down in Syria and I’m playing all sides, thought there might be a part in it for you but…guess not, which - of course - gets Rudiger talking.  (And, I just typed that before seeing Rudiger’s reaction to this bait….let’s see if I’m right….)

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DING DING DING DING… Rudiger’s telling RR all about the car that he’s turned into a bomb.  Contamination radius of 5 miles, detonate in 19 hours, doesn’t know where,  RR tells him to call Gina, says he just needs to know where she is and that him telling RR will never come back on Rudiger.

We assume this worked because in the next scene, Ressler/Lizzie and a slew of geared up and undercover agents are ready to raid Zanetakos’ location when Ressler says he knows Lizzie will want to kill her but she can’t.  She’s like “Uhhh..no… I want to TALK to her dumbass….”  Ressler orders no shots fired so as to avoid the news.  Um, how do you order no shots fired before you even know what you’re about to face?  Dumb.

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Gina is seen strolling thru the park, as are Lizzie and Ressler and like 742 other FBI agents from the looks of it.  Not suspicious at all talking into their little wrist device things…

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Annnnnnd of course Gina spots one of the unknowns doing just that and makes a break for it.  As in every episode, Ressler’s on foot pursuit of the bad guy, but Lizzie’s closer to her and follows her down a set of stairs to a bathroom.  When she finally kicks in the stall door that Gina’s hiding behind, we’re then treated to a bad ass cat fight, of which Gina’s got Lizzie hands down.  Just as she pulls out a knife, Ressler shoots her twice.  I thought he said NO SHOTS FIRED.  Fucking men.

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Of course Lizzie immediately proceeds to try to keep Gina alive, telling her “Don’t die” while attempting to hold her hands over her wounds to keep her from bleeding out.

Arriving back at HQ, Lizzie’s freaking out on Ressler, Gina’s in surgery, the bomb’s going to go off in less than 4 hours, Lizzie asks what they know about the bomb, which is the same as what she does.  After asking if they know why Gina killed hotel dude and how the multinational corporation is connected, she’s told that they are the investor and that their company is in trouble.  What kind of company you ask?  Shipping - - AND - - they are run out of NEW ORLEANS!  Damn, I was RIGHT about RR’s signalling look during his phone call to Hakim earlier!  I am GOOD!

Lizzie calls RR, asks what he knows about New Orleans, and she figures out that since his money from said phone call earlier was diverted from Houston, Houston must be the target since Houston and New Orleans are the biggest ports in the Gulf and if there’s radioactivity in Houston, all shipments will be diverted to the Gulf - thus making Gina’s investing corporation’s profits soar.  RR hangs up, throws his phone to his assistant and says, “That’s my girl.” So the signalling earlier was for HER benefit… OK… that’s cool.

Meanwhile, in Houston - the entire FBI is there again with Ressler and Lizzie to find the car before it detonates, and of course there’s only a bazillion storage containers at the port.

At HQ - Malik/Tom: She tells him his girlfriend’s been shot and he says “What?  Liz?”  Um… no, dumbass that’s your WIFE…. so she throws down pictures of Gina who he, of course, denies knowing and she asks him what he knows about the bomb.

Back in Houston:  searching, searching, searching.

Annnnd return to HQ: Malik asks Tom “What about a ship… a manifest… a crate number - help me!!” and Tom’s all:  WTF ARE YOU TALKING ABOUT?

Return to Houston: They are no longer searching, but instead are standing around talking about the port being 25 miles long.  Lizzie pontificates that they’re missing something and realizes what Nedi Midris’ role was in the whole thing.  Turns out, it’s illegal to search diplomatic cargo so he used his ambassadorship to get the car in without inspection, therefore Lizzie orders all manifests for the last week to be reviewed for anything signed my Nidi and wham bam thank you ma'am - they find the car.  One of the random agents points out that the bomb is fabricated and is not just INSIDE the car but - IS the car.  Um, yeah, that’s what bomb dude SAID moron.

Now they discuss an evacuation plan, only it’d take hours to evacuate and they don’t have hours.  We’re reminded everything in 5 mile radius would be dead.  Lizzie, once again to the rescue (is she the only person who knows how to solve things in the FBI?) suggests getting the car into the wide vast ocean that they’re like 10 feet from because radiation can be contained in water, so they bring in a big ass crane to do the job.  They crane it in, Ressler jumps in with 30 seconds on the timer, floors that baby and just before it goes off the dock, he jumps out - the car goes into the water at 2 seconds and BOOOOOOM! Crisis averted.

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Meanwhile, after Gina’s surgery, Ressler and Lizzie tell her that because they contained the bomb, the DA is willing to work a plea agreement with her with her cooperation.  She agrees.  They ask if she killed Folken, she confirms.  When asked why, she said that he was a Russian KGB agent defecting and someone didn’t want what he knew to become known in the US so they hired her to take him out. Folken had info on the route Chechen guerrillas were using to move their supplies to their soldiers on the Russian border.  The guy who hired her was making millions off those supplies.  Turns out?  His name was Red Reddington.  Lizzie then shows her the pic of Tom and asks her if she knows him and she confirms she’s never seen him before in her life.

DUN DUN DUNNNNNNNNNNNNNNNNNNNNNNNNNN!!!

Upon releasing Tom and a heartwarming embrace with Lizzie, he glances at the evidence board and points to RR’s assistant, informing them that he was the one that Tom interviewed with for the teaching job.

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DUN DUNNN DUNNNNNNNNNNNNNNNNNNNNNNNN!!!

Shortly after, Lizzie returns to RRs and barges right in announcing that they are DONE.  She said Gina confessed to RR’s involvement, that the money from Tom’s box was traced to an offshore acct that was in RR’s name and the passports were forged.  She continued that he put Tom’s picture in Zanetakos’ apartment, he hired her to kill Viktor Folken, he set her husband up by having his “errand boy” lure him to Boston (RR:  "Is that what Tom said?“), After telling him she didn’t understand why he would do any of this, she followed it up with telling him to go to hell and leaving.

Final scene is apple-eating surveillance guy, who is told by his "day shifter” that the only thing he found out was that Tom doesn’t work for Reddington.  Apple eating guy then asks “Well then who does he work for?” and the show ends on this note.  Once again, leaving all the Tom-doubt we all have growing, leaving us DYING TO KNOW Reddington’s grand scheme and what role everyone plays in it, and finally - how the whole thing will end up at some point tying together.  We ARE only 6 episodes in to a 22-episode season and personally?  I can’t wait to see how the season progresses. 


Have a tutti fuckin frutti day,
-BZ
7 years ago, 7 notes
Tagged: blacklist, the blacklist, reddington, james spader, elizabeth keen,

The Blacklist: Kick Ass Reddington Quotes (S1:E6) Gina Zanetakos

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By: Baby Z

“Hakim, remember me to your wives, all of them.”

–RR to “Hakim” when ending phone conversation regarding a piece of artwork

“Deliberate and malevolent actions taken by corporations to protect their vital interests - nothing happens by chance.”
–RR to Lizzie Keen explaining the cyanide killings in the 80’s, the tire recalls and Chernobyl, to name a few

“Delivering criminals to you is a hobby, a diversion. One that may become tiresome.”
–RR to Agent Cooper in reaction to Cooper’s attempts at telling RR it’s his job to turn in terrorists to the FBI, despite Lizzie being put on LOA

“Hardly the time to let morals stand in the way of your upward mobility, Agent Cooper.”
–RR to Cooper after bringing up an incident involving Agent Cooper in Kuwait.  Say whaaaa?
“Haphazard as hell, terrible drinker - but he gets the job done.”
–RR to Lizzie regarding Rudiger

“Now I like Yuri… I floated in the Dead Sea with Yuri.”
–RR to Rudiger about his Cobalt 60 supplier

“Yuri talks faster than a cheerleader after a nooner under the grandstands.”
–RR to Rudiger about the fact that the bomb will lead the FBI to Yuri who will lead them to RR

“I can only lead you to the truth, I can’t make you believe it." 
–RR to Lizzie upon her accusing him of being behind it all


FAVORITE QUOTE OF THE WEEK:

"People think it matters, who occupies that house - it doesn’t.”
–RR regarding the White House / POTUS


FAVORITE “AWWWW” QUOTES OF THE WEEK:

“You can trust me.”
–RR’s response to Lizzie when she was questioning everything, saying she felt like she was drowning, not knowing what’s real or who she can trust

“That’s my girl.”
–RR regarding Lizzie figuring out the dirty bomb target and Hinnar Group’s involvement.
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Have a tutti fuckin frutti day,
-BZ

7 years ago, 11 notes
Tagged: blacklist, the blacklist, reddington, reddington quotes, james spader,

The Blacklist: Unanswered Questions Vol. 2 - The Courier

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By: Baby Z

Moving forward, I’ll focus more on episode specific type questions.  With regards to the unanswered questions about the show overall - please see Unanswered Questions Vol. 1.

Regarding episode 5, “The Courier”:  

1.  How did The Courier die at the end of the episode?  Did I miss something?  
2.  Does the FBI plan on removing the remaining 3 items of the 5 the doctor said he saw in The Courier’s body?  We know for sure there’s another chip and a key, he threw up a razor blade that he used to cut out a pocket knife, so there’s still 1 unknown item in addition to not knowing what the key is to or what’s contained on the remaining chip?
3.  Will the FBI re-arrest Dechambou as Reddington suggested they do or do you think her significance to the show is now done?
4.  Why did Reddington’s assistant suggest that he wasted his 1 question to Seth Nelson on Lizzie when they could have used that 1-time-only offer to make the world tremble and finally find their adversary?  What does this mean and who is their adversary?
5.  If Seth Nelson had removed the gas mask, wouldn’t he have had a little more air from what was in the refrigerator?
6.  When Agent Ressler is pretending to be The Courier to Dechambou, he mentions losing the one thing in the world that he loved and that now all he had was his job - - was he really talking about himself do you think and who was it that he lost?  What’s his deal, we really don’t know much backstory on Ressler.
As always - feel free to chime in using the “Snark Us!” button at the top of the page!!


Have a tutti fuckin frutti day,
-BZ
7 years ago, 4 notes
Tagged: blacklist, the blacklist, blacklist questions, reddington, the courier,

The Blacklist: Unanswered Questions Vol. 1

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By: Baby Z

“The Blacklist” is that specific type of show that from the pilot episode, viewers are reeling with a million questions.  Since the list of questions just seems to continue to grow, I thought perhaps I’d cover some of the main questions that I have.  

1.  Obviously, one of the most major unanswered questions about The Blacklist is surrounding the true identity of Tom Keen.  Is he who he says he is and Reddington is setting him up for some reason?  Is he the double agent mentioned in the Angel Station case reports?  If so, who does he work for?  Is he a good guy or a bad guy?

2.  Along the same lines of identity, who is Raymond Reddington to Elizabeth Keen? The writers sure seem to want the viewers to think he’s her father, but are they being too blatantly obvious in attempting to make us think this so they can bamboozle us later with a completely different plot direction?

3.  Who is Tom Keen TO Reddington?  Have their paths crossed before?  Why is Reddington so insistent that Lizzie think Tom is actually a criminal/double agent/whatever?  If she’s his daughter, it makes sense that he’s trying to protect her/look out for her but he’s been keeping tabs on Lizzie for quite a long time so if his intentions were to protect her, seems he’d have done so - I don’t know - prior to her marrying the guy?

4.  Why is Lizzie so important to Reddington’s long term agenda with suddenly working with the FBI?  What role will she play in this agenda, or what role is he hoping she’ll play?

5.  What’s the deal with Lizzie’s scar?  She tells Reddington she got it when she was 14 and it was a fire, but then she tells General Riker’s daughter in the first episode that when she was a little girl her scar made her brave because it was from her daddy.  Also - have you noticed that the scar matches the symbol on Tom’s secret box?  

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6.  Who is monitoring Lizzie & Tom Keen’s home and what part do they play in the plot?  Are they monitoring Tom?  Lizzie?  Are they good guys or bad?  What are they hoping to gain by the 24/7 surveillance?

7.  Who is the woman in the photograph that Reddington removed from The Stewmaker’s photo book?  There’s a date on the photograph of December 1990, which is when Reddington disappeared into thin air, leaving his wife and daughter behind, could this woman’s disappearance be what prompted him to turn to his life of crime?  And why didn’t he want Lizzie to see this one photo in the book?

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8.  042983 - In the Wujing episode, Reddington’s “payment” for services was a piece of paper with just this number on it - what is its significance?  (Unrelated, 4/29/83 is the actress who plays Elizabeth Keen’s birthday in real life!)

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9.  Agent Malik -  is she truly just a CIA agent that the head of the Criminal Division of Main Justice placed with them when she finally agreed that the FBI can work with Reddington or does she serve a yet-to-be-determined purpose in the show’s plot?

10.  Angel Station Hotel - what really went down at that hotel in 2012 with the murder of Viktor Fokin, what was Tom’s connection, and do you think there’s any significance to the fact that he’s pretty insistent on taking Lizzie back there?  Additionally, how is it that she was completely unaware a murder had taken place at the hotel they were staying at, during their stay there?  **ANSWERED IN S1:E6 “Gina Zanetakos” - Tom & Lizzie didn’t stay at Angel Station during their mini-vacation, Tom only “interviewed” there, which would explain how it’s possible she was unaware of the murder, and why she didn’t recognize the hotel’s name**

These are my main outstanding questions regarding the show overall - - keep your eyes peeled for the next “Unanswered Questions” article which will contain more episode-specific unanswered questions.  Also, feel free to click on the “Snark Us!” button at the top of the page with any input, answers, questions or comments you may have!!


Have a tutti fuckin frutti day,
-BZ
7 years ago, 7 notes
Tagged: blacklist, blacklist questions, reddington, james spader, elizabeth keen,

The Blacklist: Kick Ass Reddington Quotes (S1:E5) The Courier

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By: Baby Z

“Perhaps this is an opportunity to let our new friends at the FBI carry the water.” 

–RR upon finding out his latest plan may be thwarted by The Courier
“No earthly idea, some sort of distilled alcohol - I think there’s bottles of the stuff stashed everywhere, would you like me to pour you a few fingers?”
–RR to Lizzie after she asked what he was drinking (Fredrick Hemstead’s moonshine)
“The next target on The Blacklist is the embodiment of BOTH.”
–RR to Lizzie after she tells him that the reason criminals are still able to work together despite knowing they can’t trust one other is that they replace trust with fear and the threat of violence
“The perfect middle man for an imperfect world.”
–RR to Lizzie after telling her that if either party in a transaction involving The Courier attempts to double cross the other, he kills them both
“At that price it could be anything from a genetically engineered virus to a very important person’s head in a bag.”
–RR regarding The Courier’s latest scheduled 20 million dollar delivery
“Dear Mr. Bradley, what is up with all the rabbits?”
–RR reading one of his writer friend’s daily letters to the editor of the Washington Post
“I’m talking about a friend, a philosopher who practices an ancient ritual going back thousands of years.”
–RR to Lizzie about the opium drug dealer he knows that may be able to help them with The Courier
“We had a great deal of fun until she tried to strangle me with her stocking.”
–RR regarding Laurence Dechambou
“We’ve gotten off to a rocky start.  I’m not perfect.”  
–RR to Ressler & Cooper in response to Cooper telling him he’s killed 3 people since he’s started helping them
“Hehehe…God, are you FBI.”
–RR in response to Cooper’s refusal to let Dechambou go rather than interrogate her
“I’ll consider it a bonus.”
–RR in response to Cooper threatening that if RR screws him on the Dechambou release deal…..
“Oh we’ll always have Paris.”
–RR to Dechambou referencing their last encounter when she tried to strangle him with her stocking
“He knows you better than I do, and I know where that lovely little freckle is.”
–RR to Dechambou regarding The Courier’s knowledge of her life
“You wouldn’t believe what I saw on the other side.”
–RR regarding the time he died for 2.5 minutes
FAVORITE QUOTES OF THE EPISODE:
 
“Let me put your mind at ease, I am never telling you everything.”
–RR to Lizzie after she accused him of keeping something from them with regards to The Courier and the package
“Or just bend over any available piece of furniture and let her slap you on the ass, she loves that.”
–RR regarding Ressler’s plan to meet with Dechambou posing as The Courier
“The world is rarely a fair place, that’s why it needs people like me.”
–RR to Dechambou in response to her theory that she’s done nothing wrong for The Courier to come after her
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FAVORITE “AWWW” QUOTE OF THE EPISODE:
“Thank you for being honest with me.  In my life I don’t encounter that frequently.”
–RR to Lizzie


Have a tutti fuckin frutti day,
-BZ
7 years ago, 18 notes
Tagged: blacklist, reddington, the courier, the blacklist, james spader,

The Blacklist: The One With Not Enough Spader (S1:E5) The Courier

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By: Baby Z

“The Courier” episode begins with the Keen’s having some, shall we say, sexy time in the bedroom, only Tom is all too aware that something’s up with Lizzie.  So, as almost no man would do, he stops what he’s doing not only to ask her what’s going on, but when she gives the pretty much female-standard response of “Nothin” - - he completely stops trying to “get some” in order to talk, which should have been hint #1 about what’s to come.  

But, no, I’ll admit, I took a bite of that apple and went along with the whole thing.  She then says she has to ask him something and needs him to tell her the truth.  You know, as opposed to when we really want our husbands to lie to us.
Being Mr. Perfect Husband, he OF COURSE says just that:  "Of course!  What is it?“ and she shows him the brochure containing the Angel Station Hotel they stayed at in Boston, says a man was shot and killed there and asks if he was involved, to which he FREAKS THE FUCK OUT, jumps on top of her and starts STRANGLING her!!
Only, you know, hahaHAAA viewers! Lizzie was just DREAMING, duh!
In reality, she wakes up to a cheery Tom, who is just now telling her that he’s going to their baby-mama’s ultrasound appointment today and when she responds that she thought their surrogate was having second thoughts, the writers of the show once again use this as an opportunity to really drill it into the viewers brains that Tom is constantly reinforcing that they are "GREAT” and everything is “AWESOME” and there’s no more perfect couple on the face of the planet despite the fact that at the same time we are all skeptical of him & what he’s possibly hiding.  
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Also - isn’t it weird that he didn’t tell Lizzie this information, like, the night before?  The fact that they are definitely getting a baby doesn’t seem like one of those “Ehhh…I’ll tell her tomorrow…” kind of topics.  Additionally, as Lizzie pointedly asked him about her not being invited to the ultrasound as well, we’re fed with more “TOM IS PERFECT IN EVERY WAY” jargon when he responds that he just knows how busy she gets at work & just to call if she can’t make it.  The writers better hope that he really DOES turn out to be a bad guy and this whole “perfect husband” personality he’s had thus far isn’t really HIM because if it is, YAWN - - his character could not possibly be more uninteresting and the only thing keeping my Tom-focus is the possibility that this is all a farce and he’s got some serious skeletons piled up in his closet.
We then cut to a 10 second scene of apple-eating dude surveilling their apartment and typing something on his laptop.  There was no point to this scene except I guess to remind us that there’s an apple-eating dude surveilling their apartment.
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Cut to a car pulling up behind a pickup truck on the side of the road (and it’s evening as opposed to morning in the previous scene so apparently we’re now witnessing the evening before the opening scene….?) and there’s someone clearly in despair yelling from the covered bed of the truck.  The bed’s hood is lifted and we see that the person who pulled behind the truck was not a good-doer seeing if someone needed help, but rather a creepy masked dude who looks at the guy tied up and mouth-taped and closes the cover.  
Next, the tied up dude is being recorded, saying his name is Seth Nelson and the camera starts panning back and forth between what’s happening and the recording of him asking creepy mask dude why he’s doing this and pretty much begging for his life since he’s being dragged around, shown a knife (which the masked dude stabs into a nearby piece of cardboard so his hands are free to place a gas mask on Seth) and the masked dude walks a few feet away to grab what we find out is a newspaper (confirming the date for whoever the video is for I’m assuming), Seth grabs the knife in the cardboard and just after the newspaper is placed on his chest he leans up and stabs the masked dude in the left upper part of his chest.  The masked guy just kind of looks at the knife in his chest, unaffected, and as Seth pontificates “What are you?” he gets thrown into a refrigerator.
THE BLACKLIST opener comes up.  Yes, everything I just typed above happened in the first 5 minutes of the show.
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Brewer’s Hill:  Baltimore, Maryland - FINALLY we’re treated to Reddington’s presence at assumably his latest “no-longer-than-2-nights-in-one-place” hiding spot….
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…where he’s being told by some dude that his sources were correct and that the Iranian’s attempting to procure a high level intelligence package - and that he believes it could lead to the answer that RR seeks.  RR instructs him to have it intercepted and the mystery dude responds that that could be difficult because the seller hired The Courier to make the exchange (which piques RR’s interest) and that the last time they attempted to intercept him…. when RR interrupts by saying he’s well aware of the men & resources they lost in Cairo.
Meanwhile, in Lizzie’s office at the FBI, she glances over to the Angel Station brochure when Ressler comes in and says “An order to include you in the oversight committee brief on Reddington next week…” so Lizzie hands over her “profile” report on RR and the ever-charming Ressler gives her his opinion on profiling, opining basically that it’s useless and has never helped him in any case, ever.
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Facts are what helps him solve cases beyatch, so Lizzie uses this Ressler douchebaggery moment to tell him she also prepared a profile on him, that includes “uptight, fueled by an inner rage, capable of the occasional moment of tenderness which likely brings on the desire to stay up all night watching Asian porn.”  HAAAA!!!!  Maybe I need to start a “Lizzie’s Kick Ass Quotes” series of articles too because that was definitely a great one, and of course Ressler completely denies her being even remotely close.  Um….. other than the porn - she was dead on with the first 2 descriptors for sure.  So, she calls him out and says “How about this, you don’t trust me, you think I’m tainted somehow, maybe a traitor, you resent the fact that Reddington wants to work directly with me instead of you” and once again, she’s pretty much nailed it, and just to twist the proverbial knife, she then points out that - well speak of the devil, there’s the devil calling ME now, HAHAHA Ressler, you’re not part of the cool clique.
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Lizzie goes to meet RR at what he confirms is his latest hideaway, the previous home of one of the finest American writers to ever live, one Fredrick Hemstead, of whom Lizzie has never heard.  RR confirms that no one has ever heard of him, and that the strange, little man was waiting tables when they first met.  Fredrick was living at the home with his mother until she passed away, and because he couldn’t afford to keep said home, RR bought it for him until Fredrick passed away without ever having been published, but the house was filled with his brilliant writing …annnd some sort of liquor concoction.  
Of course, Lizzie wants to get down to business immediately (whereas I would be happy just to listen to him read a phone book to me all day, personally) so RR schools her about their next Blacklist target, The Courier.  
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We’re told (while the camera does the “panning back & forth between the current scene and one of the criminal being described” thing that the show’s director loves to do) that The Courier’s involvement in a transaction virtually guarantees its success.  Once he’s hired to make a delivery, he can’t be bribed and he can’t be stopped.  If either party attempts to double cross the other - he kills them both.  
Again, Lizzie delivers another great line by responding that Agent Cooper isn’t going to sanction a black op against the UPS driver of crime, and RR tells her that he will once she tells him that The Courier is scheduled to deliver a package worth $20 million.  RR explains that the reason he knows this info is that he knows the man that The Courier is planning on delivering the package to: an Iranian spy named Hamid Soroush.  Lizzie asks if The Courier has a name (uh, no Lizzie, that’s what he was named at birth!) but RR just says that he’s sure he does but that he does not know it.  He tells her the exchange is happening at the Winston Farmer’s Market in 2 hours and 45 minutes.  The camera pans back to The Courier, who is stitching up his own stab wound from earlier, sort of humming as he does so.  Ow.  We can also see the room he’s in is quite equipped with a plethora of weaponry.  Clearly, The Courier is a bad ass.
Farmer’s Market, Alexandria, Virginia:  Lizzie and Agent Malik are walking around looking for the Iranian spy and they spot someone that looks like it could be him, while another agent snaps his picture.  
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They’re feeding info to Ressler who’s surveilling from, I’m assuming, a nearby van and he instructs them to stay on the guy they think is Soroush.  No shit, Ressler.  As they’re walking behind Soroush, he passes by a child who hands him a cell phone and says “When it rings, pick it up.” as opposed to what most people do when a cell rings and just sort of, what, look at it confusedly?  The phone almost immediately rings, and thanks to the very specific instructions by the child, he answers - to which Lizzie says “He’s moving.”  Agent Malik asks what he’s saying but Ressler’s not picking anything up by nearby mic’d up agents apparently?  Just as quickly as he was on the phone, he was off it, He walks up to a “vendor” and asks him if he can break $100, Lizzie’s Spidey sense tells her that he just made contact, so Ressler instructs all teams to start CASUALLY moving to the east side of the market but that they should NOT SPOOK this guy, then tells an agent named “Chang” to get a picture of the produce vendor’s face.  
After the picture is snapped, produce vendor guy walks beyond the vendor market’s plastic curtained “entry/exit” way, Ressler tells the tactical teams “they’re up” and that he wants the south side sealed off from the outside, and suddenly shots are fired and Soroush is shot in the head, the blood of which splatters onto Malik’s face. She announces that shots have been fired, Soroush is down and they don’t have eyes on the shooter, The Courier peels away in a Jeep Cherokee and the best Malik can do (and where are the teams and tactical units???) is shoot out his back window.  She screams several times at a nearby vendor (who, wouldn’t you assume everyone would have hit the ground and not be, like, standing around looking at their vegetables and whatnot?) to give her his keys, which he finally does and Malik & Lizzie are off on a car chase.
Sidenote - - I’m sorry but so far?  There’s just not enough Reddington in this episode, dammit.  But I digress.
We’re informed that air support is on their way, ETA 2 minutes, Lizzie and Malik are in hot pursuit, pretty much right behind The Courier, very dangerously driving thru neighborhoods and flying over railroad tracks and shit.  The Courier turns his car perpendicular to them, stops the car and starts shooting at them with what I think is an AK47, shooting the truck they procured to holy hell while Lizzie and Malik simply duck down to avoid being shot.  
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He stops shooting, starts driving again and Lizzie tells Malik to cut him off at the next intersection and as she does this, they look at each other and Lizzie says “Do it” and they SLAM into the side of The Courier’s Cherokee at an extremely high rate of speed.  In a Dodge Ram type pickup truck.  Both cars careen off the road, Lizzie and Malik’s airbags have been deployed & they’re definitely a bit shaken at first, while nearby witnesses of this seeming horrific accident start approaching the vehicles to help, when suddenly The Courier comes barreling thru the crowd with his AK47 (and the crowd parted like the Red Sea).  Lizzie updates the team where they’re at, that The Courier’s car has been disabled, and they take off now on foot pursuit of The Courier who (of course) has found an alley and a building to hide behind while he takes a seat, removes by hand a couple of the stab wound stitches he’d done and inserts a chip looking thing INTO HIS STAB WOUND.  Again, ow.  A little shoot off between him and Lizzie takes place, his gun stops working, and suddenly Malik is in front of him telling him if he moves, he’s dead and they’ve got him.
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Now, being only about 20 minutes into the show, clearly this ain’t over.
(Oh, when Lizzie & Malik were ordering him both arms up in the air, he couldn’t lift his left one and they kept yelling at him to get his arm up so he reached into his bloodied sleeve and reset a BONE that must have broke in the accident….  not sure how many times i’ll say this about this particular Blacklist villain but he is bad. ass.)
Next we’re taken to the interrogation room where Malik and Ressler are reeling into The Courier, asking him where the package is that was supposed to go to the Iranian spy.  It appears The Courier’s not really be cooperative.  Watching the interrogation are Cooper, Lizzie and (YAY) Reddington.  Cooper’s pissed that they still don’t know what the package was that was supposed to be delivered to the Iranian after searching The Courier & his vehicle.  Lizzie accuses RR of keeping information from them with regards to what he knows, and RR is like “Look bitches, I did my job - I gave you a Blacklister, he’s right fucking there…..”  only, you know, I’m paraphrasing this one.  
Meanwhile in the interrogation room Malik pontificates that good cop/bad cop isn’t working so they’re going to try bad cop/worse cop as Ressler grabs The Courier’s broken arm (that’s now in a sling).  The Courier just looks up at him and smiles.  Bad Ass.  (BAD ASS COUNT:  3?)  
Annnnnnnnd back to Cooper/Lizzie/RR, Lizzie points out the knife wound in The Courier’s chest and says he has scars all over his body, asks RR if he knows how he got them.  All RR says to that is that he’d always wondered if the stories were true, and that they may need to call in a doctor.  
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In the next scene we see a doctor exiting the interrogation room to talk to Ressler, Lizzie and Cooper (boo, where’d RR go?)  Doc says he’s read about cases like this and that The Courier has “congenital anhidrosis,”, a rare genetic disorder that basically means The Courier cannot feel physical pain.  He said that people with the disorder obviously get injured more, but that his scarring was indicative of much, much more than what would be considered “normal” for someone with the disorder.  Cooper then says they’re much more interested in the knife wound in his chest and that they think he may have placed evidence in side the wound (um, how and why did they think this exactly?)  Sooo the doc goes back in and opens the wound and finds the chip. 
They review what’s on the chip, which is the Seth Nelson video from the beginning of the show and pictures of him with the gas mask on, and with the newspaper on his chest.  Lizzie points out the newspaper was from yesterday and the timestamp on the video was from 4:29 this morning and that it was a proof of life video.  They informed the viewers that the gas mask and container he was put in mean his hours are numbered, and that they didn’t find a package because there wasn’t one.  Saroush was paying 20 million dollars for Seth Nelson and the FBI just stopped him from making a ransom payment.  Cut to Seth Nelson in his container & he has what looks like some type of timer on his chest counting down at 22:14:51.  
Back at the FBI headquarters they have found that Seth Nelson works tech support for a cable company and lives in Maryland with his parents.  Ressler chimes in that assuming each oxygen cylinder was full, Seth has maybe 20 or so hours until he runs out of oxygen and dies.  A tech with an ultrasound machine passes by them and we are told by Cooper that they want to make sure The Courier doesn’t have any other surprises hiding inside him.  Cooper also wants to know why anyone would think this kid is worth 20 million dollars, when Malik (on a computer) chimes in that he’s probably worth more.  Her CIA sources had just confirmed that he’s one of their NSA analysts, and one of their best at that.  And that he’s one of only 3 people allowed to write and access the security protocols software.  They realize that if he’s coerced into aiding a foreign power, the results could be catastrophic, and Lizzie puts on her Captain Obvious suit by saying that they have to get The Courier to talk.  No shit Keen, ya think?  She said that there must be something he wants, Ressler responds that he’s a psychopath and Cooper adds that they’re lucky, then, to have their own psychopath. 
Following, Lizzie’s back at RR’s dead writer hideaway house and RR’s laughing over a piece of writing he’d found, when his Asian security chick walks in, scantily dressed with what I’m assuming is one of RR’s shirts thrown on over some lingerie and nothing but underwear covering her lower half.  RR’s getting some sexy time too it seems.  
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Lizzie tells him that she needs to know what he’s not telling them about The Courier and, in true Reddington fashion, he asks what he gets in return.  When she says “My gratitude” he says for her to tell him what she’s learned about her hubby.  She tells him about the open homicide that the gun she found is tied to, but that the file is classified and she can’t find out any of the details, such as who was killed.  He calls her bluff so she fesses up that she knows it was in Boston last year and she thinks it was a Russian tourist who was killed, Viktor Folkin.  When RR asks why she thinks her husband may have been in Boston at that time when she was living in New York, so she tells him that she was there with him for a supposed job interview.  
In return, RR tells Lizzie that a few years ago some of his associates encountered The Courier in an opium den in Cairo, and that he killed 2 of them.  He said if the Courier still has a taste for the poppy, he may know a man that can help them, and Lizzie responds “You’re talking about a drug dealer…”  as if that’s the worst thing they’ve come across???  She ends up telling him to get ahold of the guy, her only concern is getting to Seth and they need to find The Courier’s safehouse.  
I am assuming RR’s contact was able to help because the next scene shows several Agents along with Ressler, Lizzie and Malik breaking into The Courier’s safehouse and ransacking it.  Malik finds a name - Tommy Phelps, Ressler find a big gun in a case and Lizzie finds an old picture of 2 young boys standing in front of a trailer and on the back of the photo “Summer 1969” is written.  She then finds a camera, which contains pictures of both the Iranian buyer and also the female seller that The Courier was working with, who was responsible for kidnapping Seth and hiring The Courier to pick up her money.  Cooper asks why The Courier was surveilling the buyer & seller and Lizzie shared the tidbit about The Courier killing both parties if something went wrong, so he probably wanted to know where to find them both if things went south.  Cooper then borrows the Captain Obvious suit from Lizzie and says for them to find out who the woman is.
In the interrogation room, The Courier’s being ultrasounded and is now shirtless and we see all the horrific scaring that Lizzie mentioned earlier.  The doctor then informs Cooper that The Courier had 5 objects embedded inside him, some surrounded in scar tissue indicating some had been there for years.  They identified only 2 of the 5 - a key and another chip.  The other 3 objects were just shadows and the doctor needs a higher resolution scanner to be able to try to identify them.  Cooper instructs the doctor to take The Courier to Walter Reed hospital and cut everything inside him out.  Because they left the door open between the interrogation room and the viewing room that this conversation took place in, The Courier heard all of it so he decided now’s a good time to put out some bait by saying “The kid’s got, what, 14 hours of air left?  I can tell you where he is…”  in exchange for, of course, immunity.  Cooper’s like “Yeah, no.” so The Courier tells him “Then the kid’s dead.”
Lizzie find this the perfect time to come in and tell The Courier that she’s been trying to figure out if there’s anything he cares about in the world and pulls out the picture of the 2 boys she found at his safe house.  "How about him?“ she says, and The Courier is visibly affected.  She continues, "Care about your little brother Johnny? We’re bringing him in from Petersburg Federal Prison right now, anything you want me to tell him?”  The Courier looks away and next we are in another interrogation room with The Courier’s brother.
Lizzie’s questioning him about The Courier, she asks him about his contacts, who he works with, the people in his life and the brother responds that there are NO people in his life.  She points out that there’s HIM and that The Courier had tried to break him out of prison.  His brother asks what he’s moving now and she tells him a 26 year old MIT grad.  He sort of shakes his head, a bit ashamed looking, and tells her she doesn’t understand “Tommy” at all.  We’re then informed that their father abused them and that it really didn’t bother Tommy, which made their dad hate him even more that he couldn’t control his own son.  So when he was 11 their dad started hosting dog fights, only not with 2 dogs but rather a dog against Tommy.  They had a barn, people would come from miles around and get drunk, making bets.  He said what that did to The Courier over time broke him, some switch in his head flipped along the line.  He said he wished he could help but that he knew he was only there because someone screwed up, that a deal went sideways and now a buyer & seller had targets on their heads if they weren’t dead already. As a viewer I almost felt bad for The Courier because of this horrible, horrible upbringing after this scene.  
Cut to RR informing them who the seller is, one Laurence Dechambou, ex French Intelligence who now makes a living selling secrets, mostly those of a technological nature that he doesn’t understand much of it but that she’s clearly trying to step up her game with this particular case.  
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He informs them she owns the night club that’s featured in some of the pictures they found on The Courier’s camera, and that the last time he saw her, they were having a fantastic time until she tried to strangle him with her stocking.  Cooper orders a warrant and says they’ll have it by the time they arrive, to which RR tells them she won’t talk and Cooper says she’s the only lead they have so they’ll arrest her and take their chances.  Malik chimes in that there may be another option - that since Dechambou had to have handed Seth over to The Courier somewhere, if they could find the location they might get lucky with some sort of security camera or ATM footage of the exchange.  Ressler then continues for her out of nowhere that they could use it to track The Courier’s movements last night, which could lead to Seth.  
This is an awful lot of talking about an awful lot of “what if” scenarios when they’re trying to find a guy who has like 10 hours of air left.  
RR, again, asks why she would possibly tell them anything, and Lizzie said she doesn’t have to - that she’s still expecting her money so they should send someone in AS The Courier, tell her the exchange was a set up, the deal is off and she can pick up Seth where she dropped him off.  Ressler, who apparently loves following people’s train of thought, states the obvious that they would then follow her to the drop off point.  RR knows this won’t work and says if they want to find anything out, they’re going to need to send him to talk to her.  Summoning up every last ounce of charm he has, Ressler says that everytime RR “meets” someone ends up dead.  Cooper points out that if they went with this plan, they’d be working off the assumption that Dechambou has never met The Courier and doesn’t know what he looks like, says it’s too risky so CAPTAIN RESSLER to the rescue jumps in and offers to go.  Cooper agrees but only if at the very first sign of things going south, the club is swarmed.  
Lizzie then gets a call from her dear old hubby and inexplicably says “Oh God, Tom, he’s gonna kill me.” which - what??  That morning he already said that he didn’t expect she’d be able to make the ultrasound appointment and that he understood… however when she answers, Tom’s upset and says she needs to come home immediately, he doesn’t care what’s going on at work, he cancelled the ultrasound and Lizzie tells him that something incredibly important has developed at work to which he responds that he doesn’t care and that they need to talk about something that's more important.  She begins to explain that they can talk later, that the work thing is an emergency, and as he hangs up on her mid-sentence, we see him peering down into the hole in their apartment floor that his secret box was stored in.  There’s a weird look in his eyes as he places the cover back over the hole eerily.  
Cut to Dechambou’s club, Ressler walks up to the bouncer and says he’s there to see Dechambou to which the bouncer replies he doesn’t know what he’s talking about and tells him to move to the back of the line, so Lizzie tells Ressler in his earpiece that he needs to make a statement here, he needs to hurt the bouncer, as this is what The Courier would do, so Ressler diverts the bouncer’s attention briefly and follows that up with a swift knee kick and punch to the face, taking the HUGE bouncer down.  Malik says “That was hot.” and Lizzie responds, “You know he can hear you right?” to which Malik says “Yep.”  Awwww snap…. are we going to have some Ressler/Malik sexy time in the future??
Inside the club, which is kind of like…. Moulin Rouge but with house music, Ressler is quickly ushered to Dechambou’s office by a random staffer.  She asks him if there’s a reason she shouldn’t kill him after injuring her doorman and forcing his way into her club and he responds that if she kills him, she kills Seth Nelson.  From this name drop, she now thinks he’s The Courier, asking him what the hell he’s doing there when they had agreed the money would be dropped off at the specified location.  He tells her plans change, and she’s not happy, telling him the only reason she hired him was to keep attention off of her and here he is showing up at her front door?  
Ressler tells her there is no money, that the Iranian was working with the FBI so he killed him.  She tells him she’s known Soroush for years, so Ressler responds “Well if he didn’t set me up, then you did.”  So she quickly adds that she never trusted Soroush, hence her hiring him to do the exchange.  Ressler says that Seth can be found where he was left last night and that they are done and she should never talk to him again (again, sounding like a 5 year old) however a lightbulb flashes over Dechambou’s head and she questions how she can know that he’s really The Courier and that she’s not being set up too, so since she heard he can’t feel pain - she would like him to prove it.  Ressler breaks a glass nearby and begins cutting up his arm with no reaction while telling her he’s already lost the only thing in the world that he ever loved and that he has nothing in this world but his job.  Dechambou, while impressed, realizes that if he really were The Courier, he would kill her too, not walk away with no hard feelings.  
As she’s asking him who he really is, Lizzie’s ordering the “swarm” that Cooper mentioned earlier and Ressler’s defending himself in a fight with a staffer that had pulled a gun on him.  He fights him off and flees the office back into the club as another staffer is shooting at him.  Dechambou goes after Ressler and walks out the front entrance only to see a couple staffers on their knees and a bunch of guns’ laser red dots on all of them from the “swarm” outside.  
They bring Dechambou in to the FBI headquarters and we are informed that Seth now has less than 8 hours of air left.  Again, it is brought up that they need to get The Courier to talk. Because, you know, this has already worked so well.  Meanwhile, Lizzy gets a text from dear old hubby Tom that says “Come home now.  Need to talk.”  Ressler and Malik discuss how they should get him to talk since torturing him won’t work with him not feeling pain, and Lizzie suggests that they use the brother to make a deal with The Courier - make an offer to reduce his brother’s sentence in prison in exchange for Seth’s location.  The life of a stranger for the life of his brother.  So Ressler orders to call the Marshals and get The Courier back there, and we cut to a shackled Courier being transported (presumably to the hospital?) only he’s sort of motioning like a cat does when they have a furball they’re about to spit up, only The Courier’s “furball” is what appears to be a razor blade?  Because then he slices open his arm and pulls out a pocket knife, which he uses to pick the handcuff locks.  
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Cut to Seth who’s fighting to breathe and then suddenly it’s bright & sunny in DC so clearly it’s morning now?  And at the FBI they’re discussing that The Courier wounded 2 of the Marshals and killed 1 with a knife that they’re assuming was one of the unidentified objects in his body.  Ressler informs them that the abandoned transport was found in Woodridge, Virginia, along with a stolen vehicle report in the same area that the police are searching for.  Lizzie points out that The Courier’s brother said Woodridge is where they grew up and Malik says “Maybe Seth is there?” so Cooper orders them to follow up on that train of thought and find out.  And in the meantime, he says they need to see what they can get out of Dechambou.  RR chimes in that he has a better suggestion - to let her go.  Cooper responds with what I think may be his favorite thing to say, “That’s not going to happen.”  
RR explains that when she left French intelligence, she was on track to being Cooper’s level and that when she switched to the world of crime she only moved up from there.  He said there’s no way they’ll be able to make any charges stick and that if they want to find Seth, they should let her go - even suggesting the can rearrest her another time, a week, a month from now, but for NOW, they need to let her go.  He follows that up with he’ll make her talk then, and Cooper asks him why they should trust that he won’t use what she tells him to get Seth himself, to which RR says “You don’t.  But I don’t see that you have any other options left.”  So, for the bazillionth time, something that Cooper says is “Not going to happen” happens and he says to release her.  
Cut to Dechambou back in her office, pouring herself a drink when RR appears in the corner telling her she better make it a double.  
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She thinks his visit has to do with their last encounter in Paris, but he tells her he wants to know where the NSA agent is, and of course she says she has no idea.  They tit for tat for a moment about how The Courier’s been compromised, the Iranian is dead and she’s next, but that if she helps him by giving him the dropoff location of Seth the night before, his private jet is ready to take her out of the country and he’ll guarantee her safety.  She wants her 20 million and he basically tells her to suck it.  She appears to still not quite be ready to talk so he tells her he gives it a day and a half before The Courier finds her, kisses her on the forehead and tells her to try to be brave.  And as he’s walking towards her office exit, she says that she will help him.
Meanwhile (it’s dark outside again by the way - ???) Ressler and Malik are approaching the vehicle that was reported stolen in Woodridge, VA and blood is spotted so Ressler informs “all teams” that they have found the location of the suspect and as he’s giving the location, the two of them suddenly find themselves in a gun battle with The Courier, who’s inside the trailer home seen in the picture of him and his brother from 1969.  Ressler gets closer and closer and finally in to the trailer during the back & forth shooting match, only The Courier’s no longer in the trailer, he’s outside now, which Ressler yells to Malik. They come up behind The Courier, who’s walking slowly carrying a bag in one hand.  He turns around, his head cocks to the side and he drops to the ground, Malik searches for a pulse and confirms he’s dead.  Um….how??  
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Back at FBI headquarters, Lizzie and RR have a map and are discussing where Dechambou said she dropped Seth off at, compared with the time of The Courier’s video so that they can get a radius around the drop off site of where he might be.  Within that radius there is only one spot that has road access,so they deduce that Seth has to be at that location then.  Lizzie points out Seth has maybe 30 minutes of air left, so RR eloquently says that they might get there just in time to see him die.  
As they’re pulling up to area that Seth’s at, RR tells Lizzie that if they find their NSA friend alive, he might prove helpful and she responds that he wants him for his own reasons, which RR has no problem basically responding, “Well, duh…” (again, I’m paraphrasing here…)  He, Lizzie and RR’s black security guy start looking thru the plethora of different container type objects that are randomly just scattered in this one area…I don’t quite get what this place is, a junk yard of sorts?  RR realizes that the refrigerator Seth is locked in is buried under ground, like The Courier buried things in his skin.  He stomps on an area of ground that sounds like metal and just like that - RR has located the buried refrigerator.  When they pull Seth out, he’s not breathing so RR’s security guy begins chest compressions as RR says he died once for 2 and a half minutes.  The security guy brings Seth back to life, he looks at all of them and asks “Who are you?” to which RR responds “The FBI.  And friends.”  Awesome.  
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The following scene shows Seth on a gurney with that oxygen tube thing in his nose, and RR leans down and whispers something to him when Lizzie walks up to inform Seth that his parents are going to meet him at the hospital.  Seth asks how he can ever repay them, to which RR says that he’s sure they’ll think of something, and Lizzie’s like, “Uh, don’t even think about it.”  She eyes him suspiciously as he’s clearly already got plans for how he’ll use Seth, RR walks away and Ressler walks up to do what it seems he does in each episode and that is backtrack how he was at the beginning of the episode towards her by telling her what a good thing she did saving Seth’s life.  Lizzie asks about what he said to Dechambou about his job being the only thing he has in his life and he’s immediately guarded saying that he was undercover playing a role and that’s IT.  Drop it beyatch cuz ol’ Ressler’s allllllllll good.  
Lizzie, apparently forgetting about the urgent demands for her to immediately go home for the last 10 hours by her husband, goes back to her office at the FBI headquarters.  Someone comes in with a special delivery for her, and when she opens the envelope she finds a file with a sticky note attached that says “The answers you seek.  Red.”
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When she opens said files, there’s an Angel Station surveillance photos folder, a ballistics report filled out rather than the copy she got that said “Classified” including pictures of Viktor Fokin along with details about Viktor being in contact with an unsanctioned double agent, a white male suspect who is still at large.  
Fokin:
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Just beneath this report are surveillance photos of Tom just outside the Angel Station Hotel where the Fokin’s murder took place.  
Back at the dead writer’s house, RR’s talking with the same man from the beginning of the episode, who informs us that RR used the “favor” from NSA agent Seth in order to get the classified information and documents for Lizzie.  He questions why he would waste such a valuable one time offer on the girl when they could have used it to make the world tremble and finally find their adversary, to which RR responds that it wasn’t wasted, that he’s betting on the long play, the future.  
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His cohort says “Your future’s arriving now” and in walks a crying Lizzie, to whom he hands a glass of the dead writer’s moonshine.  She sits on the opposite side of the couch from him, he ponders about the view from the couch of the light hitting the trees and she says she doesn’t even know why she’s there.  They remain sitting in silence together.  
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The final scene shows Lizzie arriving to her & Tom’s apartment but from the perspective of apple-eating dude’s surveillance cameras, when another man walks in and asks apple-eating dude what’s going on, to which he responds “Well, you’ll want to see this, sit down.”  New dude sits down and we cut to the Keen apartment, where Lizzie walks in to see Tom sitting in the living room, not saying a word, She steps toward him and says, “We need to talk” to which he responds “That’s funny.  I was just going to say the same thing to you.” while reaching over and pulling the secret box with the passports, money and gun out in between them.
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AND THAT’S WHERE IT ENDS.  Man, can this show GET any better, I’m honestly not sure how it will continue to just keep topping itself week after week but, good God, it sure has so far.
Also?  What the hell was The Courier’s cause of death dammit!?  
This week’s “Kick Ass Reddington Quotes” will posted shortly, along with a new feature for this show - “The Blacklist’s Unanswered Questions” - - keep an eye out for both!


Have a tutti fuckin frutti day,
-BZ
7 years ago
Tagged: blacklist, the blacklist recap, reddington, Elizabeth Keen, the courier, tom keen,

The Blacklist: Kick Ass Reddington Quotes for The Courier (S1:E5)

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Quick update from Baby Z:

There’s some great Reddington quotes (as usual) from “The Courier” episode this week currently being compiled -  - will be posted, along with the episode recap, this weekend!!!  Might be introducing a new “The Blacklist” weekly feature as well!!!  


-BZ

7 years ago
Tagged: the blacklist, reddington quotes, reddington, blacklist recap, james spader,

The Blacklist: Kick Ass Reddington Quotes 2 (S1:E4)

By: Baby Z


Here’s the second edition of “Kick Ass Reddington Quotes” from Episode 4: The Stewmaker!!

“Lorca’s a vicious little drug lord thug. Certainly nothing there to hold my interest.  But their request is of great interest because it concerns you.”

–Reddington explaining to Lizzie why he accepted Lorca’s request for RR’s assistance
 
 “I don’t think you’re going to have a very good day in court at all.”
–RR to Lizzie regarding Lorca’s apparent plans to escape trial
 
“Keeping up appearances, I’m a criminal, the minute I stop being one I become quite useless to you.”
–RR to Lizzie in response to her asking why he’s in Haiti
 
“You all seem to be doing a perfectly mediocre job of that on your own." 
–RR to Lizzie with regards to helping the FBI catching run of the mill drug lords
 
"The Stewmaker is in town, you’re going to need a plumber.”
–In response to Lizzie asking why, now, RR is interested in helping the FBI
 
“He makes corporeal problems literally disappear”
–Part of RR’s description of The Stewmaker
 
BEST REDDINGTON LINE OF THE NIGHT: 
 
“I’d say my meeting with Lorca might be the equivalent of you falling on your ass and landing in a pile of Christmas.”
–RR to Ressler with regards to why they should let him continue his deal with Lorca alone
 
 "Because after tracking me for years you’ve come up with one undeniable truth.  I only do what’s good for me, and that is a person you can trust on.“
–RR to Ressler in response to Ressler asking if RR knows why he’ll never trust him

WORD OF THE WEEK:
 "Lourka will have questions about you, you’ll need breviloquent answers.  Ready?”
–RR to Ressler just before meeting Lorca together
 
“He’s also a wonderful dancer.”
–RR describing Ressler after Ressler flipped one of Lorca’s men over his shoulder
 
“Crooked as a Corsican highway” 
–RR describing Ressler & confirming to Lorca that Ressler’s his FBI “inside contact”
(BONUS!!  Know what a Corsican highway is?  Check it out:  http://www.youtube.com/watch?v=TRKwzyttt70 )
 
“See that’s the problem right there, you let your emotions get the best of you which is how people wind up in jail, Hector  Stupid people.”
–RR to Lorca during their meeting to deliver Lorca’s new identity
 
“And he knows in his heart, he must pay.”  
–RR to The Stewmaker during his monologue about the farmer, just before killing ol’ Stewie
 
“That’s a pretty blouse!”
–RR to Malik in response to her asking how he found The Stewmaker’s cabin
 
 “Are you gonna tell on me Lizzie?  Tell Harold how bad I’ve been?”
–RR to Lizzie in response to her telling him he’s no different than The Stewmaker


Have a tutti fuckin frutti day,
-BZ
7 years ago, 25 notes
Tagged: the blacklist, blacklist, reddington, reddington quotes, james spader, the stewmaker,

The Blacklist: The One Where Spader Has Officially Earned My Undying Love (S1:E4)

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By:  Baby Z

Just when you think The Blacklist cannot possibly get any better, an episode like “The Stewmaker” comes along and calls you a silly bitch.
 
We begin the show with a guy checking into a hotel, followed by him unloading a few huge metal suitcases, then his teeth and hair!  He jumps in the shower and proceeds to shave all his head and facial hair.  When he’s done, he sprays room down with presumably some sort of sanitizer, then covers the entire room in plastic and it’s at that point that I get a little confused and wonder briefly if I accidentally loaded “Dexter” rather than “The Blacklist”??  

Meanwhile, at an FBI Storage Facility, Lizzie signs in and is told that the guard has to run her through clearance.  She says she’s in a hurry and could she just go in while he runs it and the guard agrees.  OK - first of all - NOT.  That wouldn’t happen.  At the same time, Cooper is asking Ressler the latest about what she’s been up to regarding the case, and Ressler says the files have been redacted and that there’s no way she can find out about that case…. but back at the storage facility, we see Lizzie searching for the case number among the rows & rows of evidence and she comes to box marked “Case No 12-11579: Name Angel Station: Date June 23, 2012.”  She attempts to grab the box when the guard starts heading in saying “Hey you’re not allowed in here, who’s your supervisor?” as she runs away. Um, doesn’t he have her name in order to do the clearance search?

Cooper tells Ressler they need to keep an eye on her and that she’s scheduled to testify in court today from her time in NY regarding Hector Lorca, a Mexican drug dealer, and adds that he wants Ressler there in the courtroom as well.

Back in her office, Lizzie jots down the name and date from the evidence box when Ressler comes in.  She tells him she’s got court today and he asks if he can go with, says that nothing would make him happier than to see Lorca go down, to which she responds “Why do i get the feeling you’re less interested in watching Lorca than in watching me?” and so he asks her if she’s hiding something.  Agent Malik interrupts this awkward exchange and informs Lizzie that RR wants to see her alone.

(By the way, anyone realize that Ressler was the guy Rachel McAdams was fooling around with in “Mean Girls”???  Look!)

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Once again, Lizzie meets RR at a park (and again he is in a fantastic suit) and is accompanied by his black security guy.  As Lizzie approaches, the security guy leans down and tells RR that he’s due in Port-au-Prince at noon if they’re going to make RR’s appointment, and RR tells him to bring the car around.

When Lizzie sits down, RR reads a newspaper headline that indicates it was due to her work as a profiler that Lorca was captured.  She says “You’re aware then that I’m due in court in 3 hours.” and he informs her that her case is about to go sideways.  He tells her that Lorca’s people have reached out to him and that normally he wouldn’t give them the time of day but that because it involves her, he wanted to forewarn her. 

When Lizzie inquired as to what his people were asking for, RR responded that he wanted transportation out of the country, new identity, passport, bank account, credit cards as well as the proper introductions to reestablish his operations elsewhere, and he wanted it by tomorrow night.  For whatever reason, RR tells her, Lorca is under the impression he’s about to be a free man.  When Lizzie says she’s got a witness who’s got him cold and Lorca’s not going anywhere, RR simply responds that something IS going to happen, grabs his jacket & leaves.

Back at Creepy Dude Hotel, the guy from the beginning of the show is seen opening up one of those cloth medical tool organizers, and again I wonder if I’m watching “Dexter.”  We also see one of his big metal suitcases is full of gas masks and a chemical, and he has one of the masks on.  

At the Washington D.C. US District Court, we discover that Francesca Ravino was abducted from a school parking lot, Lisa Molinera was taken from a movie theater, Miguel Romera kissed his wife goodbye one day to go to his job.  The prosecutor says there have been 109 victims over 6 years, members of US and Mexican law enforcement agencies, preparing cases against the criminal cartel run by Lorca.  They were witnesses prepared to testify against him, and they are all presumed dead, none of them have ever been found.  Then she refers to the father of one of the victims, who said his son (Pena) worked border patrol, and that he was taken.  He said he saw who did it, he saw Lorca.  And just as he yelled “I KNOW WHO KILLED MY SON” one of the juror members begins having what appears to be a heart attack.  The judge orders the bailiffs to secure the prisoner, get the paramedics in there, and for the courtroom to be cleared.  

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Keen escorts the witness out of the courtroom and hands him over to 2 US Marshals.  When the witness asks about his wife, Keen tells him she will go find her and bring her back there.  She runs down the stairs, while the camera flashes back to the witness who is brought into a room where there is an ACTUAL US Marshal lying dead on the ground, and he realizes that the 2 men that have him are not his friends.  One of them grabs Mr. Pena and injects him with something in the neck.  

Meanwhile, at the ground floor of the courthouse, Keen is met by Ressler, who tells her that they have the witness secure and that according to the EMT, the juror’s heart attack was chemically induced, the juror was poisoned! (OK - - HOW did the EMT know this so quickly, it’s literally been maybe 2 minutes since the incident….)  Ressler/Keen run back upstairs to the “secure” ‘room and all that’s there is the previous dead US Marshal.  They run down the back stairs, outside and see nothing.

Over in Port-Au-Prince, Haiti RR is in the middle of a meeting with what appears to be a money counterfeiter, selling him what he calls a replica of the FIM-92 when his security guard receives a call from Lizzie who demands to speak with RR, who says “Sweetheart, not really the most convenient time for me.” Lizzie asks where he is and he tells her he’s in Haiti.  You know, doing what he DOES.  She tells him a man’s life is at stake, to which he responds that is always the case, and reminds her he didn’t sign on to help with run of the mill drug lords.  

Lizzie attempts to guilt him into helping by telling him that the hundreds of families of Lorca’s victims deserve to know what happened to their loved ones, which prompts RR to ask, “Did you say hundreds?”  Lizzie responds that no bodies were ever recovered, they never got to say goodbye, etc.., and, again, RR mentions that there are hundreds of people and not one has ever been found?  Lizzie asks what he’s thinking and he responds that she should go home, her witness is most likely dead and that he’s pretty sure she knows this already.  

Meanwhile, Dexter… er… I mean… creepy dude from the beginning is unzipping a body bag containing Mr. Pena, Lizzie’s witness.  He takes a picture of him, puts on gas mask, drags him to the bathtub and pours some chemical into the tub.  

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Meanwhile at La Casa de Keen, Lizzie is looking through the Lorca file, shuts it in frustration and moves on to something much less upsetting - the bullet’s ballistics report & piece of paper she wrote down the name & date that were on the evidence box from earlier.  She seems to be quite carefree when it comes to little details surrounding the mystery of her husband, with him being in the next room and all.  But this doesn’t stop her from doing a Google search of “Angel Station” just as, of course, Tom comes into the kitchen asking how she’s holding up.  While they’re talking, she manages to cross out “Angel Station” on the piece of paper. Lizzie responds that she’s fine, and Tom tells her he always knows when she’s lying, walks up to the table and says “What’s this?” about the piece of paper with now only the legible June 23, 2012 date on it.  She “uhhhh’s” for a second and he continues “I mean…besides the best date ever….right?”   

Even though it’s clear she’s not sure what he’s referring to, she agrees with him, and as he walks around the table to put his arm around her saying it makes sense that after such a bad day she’d want to come home and feel better by remembering better times, and at the same time she’s clicking on her laptop to a file named June 23, 2012, which contains pics of the two of them. Lizzie recalls that they were in Boston that weekend and that Tom had a job interview! She seems a bit relieved that they were together and in Boston on this date, like maybe this exonerates him from whatever heinous crime we will find out about at some point when her phone starts vibrating, so Tom grabs his coffee to return to the bedroom.  He stops briefly and says that she’s an open book, and that it’s one of the things he loves about her is that he always knows what she’s thinking.   Oooooo…. Hinty McHinterson, writers?

Her phone call informed her that they found out where they took Pena, and the next scene is her and Ressler at the Creepy Dude hotel that Dexter was at.  A witness had seen a white van leaving courthouse, and that same white van was abandoned 10 blocks away, camera footage caught the license plates, and they were led to the hotel.  The desk clerk told them she saw a large black duffel bag and I’m confused as to how the abandoned van led them to the hotel by running plates but……..ok….. 

Malik comes out and says there was no sign of Pena.  Forensics was going through the room but so far only found a hair & it didn’t appear to be human, and that the hotel clerk also confirmed there was a dog with Dexter.  Malik said it appeared as though some sort of plastic sheeting was used, after all it was a HOTEL ROOM, there should be prints and whatnot all over the place but there was nothing.  

As Keen enters the hotel room, she receives a phonecall from “Nick’s Pizza”, which - of course is RR who tells her he’s been thinking about her case, asking what they have so far.  She tells him she’s at the crime scene and they don’t have much, so he asks if there’s tape residue on the walls which she confirms.  He instructs her to look in the tub and run her fingers around the drain… then asks what she smells, to which she tells him she smelled chemicals.  He pontificates that now he’s interested.  

Back at the FBI offices, RR has returned from Haiti and is telling them “The Stewmaker” is a TRUE Blacklister.  He says he’s the only fellow to engage when one has a particular disposal problem and that he’s a chemical expert who turns his victims into chemical stew, hence the name.  He leaves nothing behind, no DNA, nothing.  

But, RR continues, it’s much more than his proficiency that gets him on the list, he’s also a trophy collector, rememberances of his victims…. he tells Lizzie that they’ve lost their witness and the case but that The Stewmaker is the key to so much more.  He says he’s served the needs of international syndicates, repressive regimes, anyone with a need and the means to pay.  The Stewmaker knows where all the bodies are, he’s got the answers to hundreds of unsolved murders.  He’s notoriously cautious, RR doesn’t even know who he is or where he bases his operation.  He adds that he himself has even tried to find him to no avail.  Lizzie realizes that Lorca must know something…if not his name he knows how to make contact.  RR agrees and they pull Lorca in for questioning.

In the Interrogation Room Malik, Lizzie, Lorca and Lorca’s attorney are all present and Malik tells him they know about The Stewmaker.  Lorca’s attorney says his client has no idea what she’s talking about and Malik counters that if he cooperates they can discuss a plea agreement, to which Lorca says THEY were responsible for Pena’s safety and that they have probably offered many others protection in exchange for info & testimony.  

He then looks at Lizzie, tells her that Pena’s death is on them and that he had nothing to do with it.  Lizzie turns off the camera, and the attorney closes his case file, assuming they’re done, when Malik says the government is dropping this case.  She then adds that Homeland Security suspects Lorca of money laundering, to which his attorney responded that that was ridiculous and asked why would they think such a thing, to which Lizzie responds, “Because we told them he was.”  HA!!  Take THAT Lorca.

Malik continues that Homeland Security will stick him in a hole somewhere (good ol’ NDAA) while they investigate which, you know, could take quite a bit of time, or he could just give them The Stewmaker and they’ll set him up nicely.  Lorca responds that he doesn’t think they understand who they’re dealing with and that The Stewmaker is much more dangerous than their agents, closing with the fact that he’d rather take his chances with Homeland (someone call Claire Danes, stat.)

Since he refused to help them, Lizzie is next seen escorting Lorca in prison garb and chains, to a helicopter and tells him that once she hands him over to Homeland, she can’t help him anymore.  He pontificates that she thinks she KNOWS him, can profile him, when really she has NO idea… and just as she says this BLAAAAAAAAAAAAAAAAAAAAAAMOOOOOOOOOOOOOO!!!!!!!!!!  Someone shoots a rocket from a launcher on a nearby building into the helicopter sending Lizzie and Lorca flying back and hitting the ground, hard.  A vehicle pulls up shooting, Ressler takes cover, mayhem ensues and Lizzie hit her head against the ground hard enough that she’s disoriented, but sees someone grabbing Lorca, only to then have a bag thrown over her head and they throw her, too, into a black van & take off.

HOLY SHIT THIS SHOW ROCKS.

Back at the FBI Offices, Ressler, Cooper, and RR are watching the surveillance footage from the airport and Ressler tries to get tough with RR threatening that if he had anything to do with this so help him….. ..but Cooper interjects about why Lorca would kidnap Agent Keen, what’s his play here?  RR informs them that he has a contract with Lorca to personally deliver a new identity.  Ressler tells RR that’s never gonna happen and RR points out that their witness is dead, they lost Lorca, and that Lorca took Agent Keen. 


Cooper wants time to set up a sting, to which RR points out that (FUCKING DUH) Lorca’s been evading capture for years & will be more on guard than ever, and that any change in plans and they’ll lose him.  RR insists on meeting Lorca alone, but Ressler says with an FBI agent’s life at risk, there’s no bargaining here.  He insists on going with RR, so RR makes it clear that he takes no responsibility for Ressler’s safety and that the FBI backs off, meaning no surveillance, no wires, or they can find what’s left of Keen themselves.

In the following scene, Ressler & RR are in the car and RR tells Ressler that he’s just going to have to trust him or Lorca’s going to walk.  Of course, Ressler bites back that he will never trust RR… know why?  In Reddington’s words, “Because after tracking me for years you’ve come up with one undeniable truth.  I only do what’s good for me, and that is a person you can trust on.” BAM!!  You just got verbally served Ress.

They arrive at Lorca’s location, a bar/restaurant, both get searched, are led through the kitchen to a back room where Lorca and a couple friends are dining.  When RR and Ressler walk in, RR says “Mr. Lorca, I’m Raymond Reddington” and Lorca says he wasn’t expecting 2 people, to which RR tells him, quite frankly, “Oh this is Special Agent Donald Ressler of the FBI” and before Ressler (or anyone) has a chance to say anything, Ressler is hit from behind by a guy with a gun.  He falls to his knees and Lorca says “Must be open season on the FBI, I like it.”  

In Spanish Lorca tells his men to be ready to cut off Ressler’s head, and then asks Ressler why he shouldn’t and in one fell swoop Ressler does a cool flip move on the dude that was holding him, stands up and tells Lorca that he’s the one providing a new ID that will get him past any checks, passports etc.., he concludes that he’s not the guy Lorca KILLS, he’s the guy Lorca PAYS.  

Once this lie is confirmed by RR (with a huge smile on his face) RR shows Lorca his new identity and says he’s arranged for transport to Venezuela but that he has to wait 12 hours, which of course Lorca dislikes very much.  RR explains that he can’t leave immediately, that it would be bad for business and Lorca’s made a mess, abducting an FBI agent and says “I presume she’s dead?”  To which Lorca says he doesn’t know.  

Ressler chimes in that RRs right, the FBI has every surveillance camera, every resource looking for him.  RR tells him to just sit tight and let him take care of his mess, and asks where the man is who’s holding the agent.  Lorca wonders aloud if RR has a problem with him disposing of this bitch (his words, not mine!)  and adds that Keen will soon disappear, the price for taking everything he has.  

RR then demands the name/location of the man holding Keen, again is met with denial of such knowledge so RR calls his bluff by telling him “Good luck then!” Grabbing the case containing Lorca’s new identity and pretending to start to leave when Lorca says he has a contact.

At the FBI office next day, Cooper’s on phone with Ressler and Malik who are driving, Ressler said Lorca’s contact led them to a maibox rental place and that the name was an alias, a “Bill Conners.”  They found his drivers license at the DMV and matched his fingerprints to chemical purchases in Maryland. The Stewmaker’s name is actually Stanley R. Cornish, and he runs a dental practice in Maryland.  They are on their way to Maryland to check it out. 

Meanwhile, RR is looking at the evidence board at the slip of paper regarding the K9 hair found at the hotel, he takes the paper and tells his security person it was time to go.  

Next, from 1st person view we are driving a car, on a long road, then a dirt road, then thru a forrested type area, and we know we are in the middle of nowhere.  The Stewmaker arrives, gets out and opens trunk where Lizzie’s tied up & blindfolded.  As he’s walking her up the dirt driveway she’s telling him her name and that she’s a person and she has a husband, she says she wants him to know who she is.  

Meanwhile, RR (also headed to Maryland) is in the backseat of a vehicle with the asian security chick that was on his list of approved security…

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..when he asks the black security guy driving to please dial the Maryland State Office of Animal Control (which - the dude has on his SPEED DIAL apparently?)  RR tells Animal Control that he’s Cornish, he’s lost his dog, and the cell phone with tracking code, and tells them that he needs the code and for them to reboot the application for THIS mobile device.  He adds that the dog is an emotional support dog, and asks that they hurry because his heart is pounding and he’s having trouble breathing.

Cut back to The Stewmaker’s house, he’s got a creepy record playing and Lizzie’s in a wheelchair, still blindfolded.  She keeps trying to get to know him (and him, her) on a personal level, either trying to buy time, or get him to change his mind about killer her, but whatever her motivation is behind her tactics, he’s cool as a cucumber and isn’t stopping his plans.  

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We then witness Ressler, Malik and other agents storming a house to an unsuspecting woman & child. They confirm the woman is Stanley Cornish’s wife and she doesn’t know where he is.  

Back at The Stewmaker’s house, we learn he’s a father and has an 11 year old son.  He asks Lizzie if she’s a mother, and she tells him she’s not.  When he responds, “That’s good.” as viewers we can see just how scared she is.  While all this conversation is going on, he is continuously moving about, getting everything ready, preparing tools, etc.., and then he tells her he was asked to make her suffer.  He apologizes and says it’s his job, to which Lizzie responds that it’s her job to read people and he’s not a killer. 

He informs her that there’s a nerve cluster just underneath the shoulder, and that the pain should be quite intense as he walks behind her with some sort of pointy medical tool. She’s crying and as the scene closes he’s inserting it into her shoulder!

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Ressler and Malik find out from the wife that her husband is a dentist and would never do anything wrong. He asks the wife if she knows where he might be and she informs them of a cabin farther north, in the middle of nowhere, the roads don’t even have names, hell some of them are just dirt roads for God’s sake.  Ressler orders a chopper and a team of people who know the area that their summer home is located.  

Meanwhile, as RR and his security people are getting close, RR tells them to go to a store to get meat (for The Stewmaker’s dog, I assume).

Back at La Casa de Stewmaker, Lizzie asks him how the whole thing works, how he makes them disappear so perfectly.  When he turns around he’s seemingly naked and has sores all over his chest/stomach/arms.  He responds “It is perfect isn’t it? walks over and injects her with what turns out to be a sedative that will eventually cause paralysis but will maintain her sensitivity to pain. He wheels her over to a sink and after being asked why he’s doing this when he doesn’t take life, he cleans up death he tells her that everything changes, everything evolves and that this is HIS evolution. She tells him that she thinks idea of him vanishing people to aid nature is a lie, but actually he’s trying to solve something else, his past maybe? Whatever horrible thing that twisted him up inside, and just after saying this, she’s freed herself from the plastic ties, stands up and hits him, then stumbles outside… into the wooded area.

The FBI has a huge team assembled now to comb the area and Lizzie rolls down a hill and crawls behind a tree to hide.  

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She peeks around the tree and BAM!  There’s his dog barking at her.  The Stewmaker walks up, punches her knocking her out and drags her back to the house by her arm.  He puts her back in the wheelchair, takes gas mask off, and takes her picture.  Just before she passes out she tells him she was wrong about him, he’s not perfect and just as she loses consciousness, The Stewmaker turns around to a swift REDDINGTON PUNCH to the face knocking HIM out while the camera pans over to the dog, who’s feasting on a big chunk of meat.  

RR carefully places Lizzie’s feet on the wheelchair holsters, she’s looking at him (barely) and he assures her that she’s going to be OK, the affects will wear off shortly, pats her on the head and wheels her into the next room.  He turns back towards a now-conscious again Stewmaker and says "OK - are we ready to get started?”  

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He tells the story of a farmer, that, in all honesty I got so lost in Spader in this moment because the way he delivers the monologue is breathtaking, that the details of his farming analogy are irrelevant.  At the end, it’s clear that RR is about to kill The Stewmaker when Lizzie chimes in “No, Red, he couldn’t help it.”  RR isn’t buying it, and flips The Stewmaker into his own chemical concoction, and even though Lizzie didn’t witness it being in the next room and all, you can see on her face that she’s mortified.  RR comes into the room she’s in and puts his hands behind his head as the FBI comes in.  Ressler asks where Cornish is and RR says they’ve had a little incident and that Agent Keen needs medical attention.  

RR walks over to shelving unit and grabs a photo book full of the people The Stewmaker has turned into stew.   He pages thru it and removes one of the pictures.  It’s not Keen as its in the middle of the book.  

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Ressler assists Keen out of the house and she turns to him and hugs him, sobbing.

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While sitting on the edge of an ambulance, RR gives her the book of photos so that she can give peace of mind to the families, and she tells him that he is no better than The Stewmaker, and follows that up with calling him a monster, to which he agrees and she asks him how he can live with that?  RR responds with a simple, “By saving your life.”  

The ambulance doors close and pull away, leaving RR and Ressler.  RR tells Ressler that he gave Lizzie the book of pictures, which should help put Lorca or many of his kind away, when Ressler informs him that Lorca got away. RR pontificates that that’s the cost of doing business, but Ressler counters that RR wasn’t just going to let him get away, that Lorca was offensive and RR didn’t like that.  RR responds, “He IS on my jet…”

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Back in DC we witness RR on a bridge, pulling out the picture of the mystery woman (see below) while back at Lizzie’s apartment she’s sitting on side of tub when Tom comes in with yet another “things have been…weird…between us lately” speech and tells her that he thinks they could really use getting out of town for a few days.  He tells her he booked them a 3-day trip at the same place they went in 2012, and he pulled out the little pamphlet about the trip.  They kiss, and then she opens the pamphlet, the inside of which contains a description for “Angel Station Hotel” and thus ends episode 4, adding another however many questions to this puzzle of a show.

Be sure to keep your eyes peeled for this week’s “KIck Ass Reddington Quotes” - - there’s some real GEMS from this episode!!

(Mystery woman’s picture:)

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Have a tutti fuckin frutti day,
-BZ

7 years ago, 7 notes
Tagged: the blacklist, blacklist, the blacklist recap, reddington, the stewmaker, james spader,

The Blacklist: Kick Ass Reddington Quotes (S1:E3)

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By: Baby Z

Due to the sheer genius of James Spader’s ability to execute a brilliantly written 1-liner, I’ve decided to do a weekly “Kick Ass Reddington Quotes” feature for “The Blacklist”.  

Hope you enjoy these Spader/Reddington gems as much as I do each week:

“I prefer to play with myself in private.” 
–Reddington to the Wujing minion at the park, prompting the minion to leave.

“That’s what they said about Deepthroat and the G-spot." 
–In response to Lizzie Keen telling him that Wujing was a myth.
"Now you see you make it sound like treason, so black & white - it’s not, it’s green." 
–To Lizzie Keen after she questioned his decision to help Wujing/Chinese government.
"Look at you, camel trading like a veteran.”
–In response to Lizzie agreeing to help catch Wujing and asking what’s in it for her.
“The first two were a NIGHTMARE, 3rd one was actually quite pleasant.  Even so, that won’t happen again.”
–To Wujing’s minion about being held captive for 3 weeks in a shipping container by Somali pirates.
“So if you kill her, you better kill me too, or I’m going to kill you.”
–To Wujing’s threat about killing Lizzie Keen.
“I believe I will always do what I have to to keep you alive.”
–To Lizzie, in response to her telling him he did not have to kill Jin.
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Have a tutti fuckin frutti day,
-BZ

7 years ago, 19 notes
Tagged: the blacklist, blacklist, reddington, reddington quotes, james spader,

The Blacklist: The One Where Spader Continues to Rock My World (S1:E3)

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By: Baby Z

YOU GUYS!!  I just spent the last 2 hours writing an awesome recap of episode 3: Wujing (which, I KNOW, is already an episode late!!) and I had maybe 10 minutes to go when the system just - DIED and I got that little sad TV face guy on tumblr and the entire article is GONE!!!!  

Therefore, for episode 3, you will be receiving a scaled down recap from its original.  I apologize, I love this show SO much and want to do it justice, which a scaled down/short recap could never do, but - - there’s just no way to recover or redo what I lost and I have a to do list that won’t allow me to spend another 2 hours rewriting the original article.  

I have also learned to hit “Save Draft” when posting articles here, and to click it often. FUCK!

ALSO - - THERE’S A SPECIAL ANNOUNCEMENT AT THE END OF THIS RECAP ABOUT A NEW “THE BLACKLIST” FEATURE I’LL BE DOING FOR EACH EPISODE!!  BE SURE TO CHECK IT OUT!

Episode 3: Wujing begins by showing an American man getting into his vehicle in Shanghai, China, only to be delayed by a Chinese man riding a bike in front of him.  Said Chinese man turns toward the car and shoots the guy right thru the windwhield, thus teaching HIM a little lesson in patience.  A couple motorcycles then pull up, shooting him again thru the passenger window, taking the briefcase that was on the passenger seat, and driving away.  

This is followed by a Chinese man attempting to gain access to something on a computer when he reaches over and grabs a bloody hand (just a hand, no body!) to use for the “fingerprint-required” access, and when this does not work, he orders someone to “Get Reddington!”

Oh yes, get Reddington indeed.

Back at La Casa de Keen, Tom is fast asleep in their bed, while Lizzie is once again going thru Tom’s secret box even though he’s like 10 feet away.  

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She grabs the gun from the box, a bucket and like 3 huge phone books (seriously, who does this?) and heads outside where she then fills the bucket with water and the phonebooks and then shoots the gun into the phonebooks, obtaining a bullet & casing, which she brings to work and has forensics run it against any crimes, etc.., 

Meanwhile, Raymond Reddington (RR) is at the park in a dashing suit, a man approaches and attempts to hand him an envelope to which he responds “Good God, not here.” without even looking up.  I just want to lick him he’s so cool.  

Long story short, RR informs the guy that his “normal” guy is not available, he’ll be going thru a different “tech” and that he should let Wujing know, do their due diligence and get back to him.  

Back at Lizzie’s, they’re having breakfast at the kitchen table when Tom asks her if she’s alright and attempts to talk about the man who, you know, tortured and stabbed him.  Of course, Lizzie can’t discuss it but assures him that the guy is dead.  A friend comes over to bring some food and to bring Tom to physical therapy, and when thanked she says “Friends don’t let friends starve who have been stabbed by psychopath killers.”  Ba dum bum!  I’m thinking….too soon for the stabbing jokes, friend?

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Remember when I mentioned in my episode 2 recap that RR’s HAT has played a role in the first 2 episodes, and wondered if this would be a recurring theme?  Well cue to the next scene where Lizzie’s meeting up with RR in a HAT STORE, filled to the brim (ha) with fedoras.  RR informs her that he’s been hired by Wujing to decode a file, most likely containing the name of an Agent Wujing will then kill.  

We learn that Wujing formally works for the Ministry of State Security and that while he’s not officially sanctioned by the Chinese government, unofficially he’s contracted to take out rival agents, American, British, etc..,  RR tells her that he’s set it up with Wujing that she’s (under a cover, obviously) the encryption specialist “tech” that he mentioned to the dude in the park.

Back at the FBI offices, Cooper, Ressler and Malik all think they should move forward with RR’s plan, while Lizzie’s like, “Uh…. you want me to SPY on a SPY KILLER while pretending to be a specialist in encryptology, of which I know nothing about…. no thanks.”  Ressler reminds her that in that case, the next Agent killed by Wujing will be on her hands, and - of course - Lizzie gives in.

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Meanwhile, back at her apartment, immediately upon Tom and their friend leaving for physical therapy, we see that the building is being watched by someone eating an apple across the street, followed by a team of people going into their apartment and installing what is assumed to be cameras all over the place.  

Lizzie meets up with RR and lets him know that she’ll go along with his plan, on the condition that he tells her why he picked her.  They return to the FBI offices where RR tells them that 6 years ago a radio station building was purchased by a corporation funded by the Chinese government.  Wujing operates out of this building, and is where they will be meeting him.  Lizzie, again, reminds them she knows nothing about encryption, so CIA agent Malik and Lizzie meet up with a Chinese dude that Malik calls in.  

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There’s a lot of techie talk during this scene so I’ll just summarize:  basically, Wujing will give her a file that, when she plugs it into her laptop she will be prompted for a 4-digit code, which her computer will provide.  She just has to have a satellite signal for this to work.  If she doesn’t have a satellite signal, she’s given a little chip thing called a “remote mirroring program” that will give the FBI/CIA outside remote access to be able to take over and decode.  

While waiting for RR to come get her, Agent Malik sticks what looks like a nicotine patch onto Lizzie’s arm, telling her that it will be able to track her up to 300 yards, and is made of a material that’s undetectable should she be ‘wanded.’  Her and RR head to the radio station where…guess what?  She’s wanded.  

She makes it past the wanding, however due to the chip in RR’s neck, he does not, but he tells the “wander” (same guy he met at the park earlier) that it was implanted by Somali pirates that imprisoned him for 3 weeks and that if the dude had a clean razor blade and some morphine he would gladly remove it.  Because the dude knows RR is not a threat to them, he seems OK with this explanation, but then announces that he has to run a biometric print scan on Lizzie.  When she asks what system it’s being run against, the 'wander’ says  "All of them" and she looks as though she’s going to pee her pants.  

However never fear!  The FBI/CIA next door intercept the biometric print scan request and ensure that the results show she’s not found out.

RR and Lizzie are led to an elevator that takes them so far down into the ground, I begin to think possibly they are headed to hell… and when they get to the bottom, they’re met by Wujing.

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After some preliminary 'nonchalant’ chit chat with Lizzie, Wujing and his new encryption specialist, Jin, seem satisfied that she is who she says she is, and she tells them she needs a few minutes to set up her equipment.  RR had pointed out during their arrival to the dungeon that they seemed like they were really far underground and for Lizzie’s benefit - mentioned the lack of communication with the outside world, to which Wujing informs them that the only outside world contact that could be made from there was thru THEIR hard-wired systems and that’s it.  So when Lizzie sat down to “set up” her equipment, RR stood next to her and made small talk with Jin, giving Lizzie the opportunity to type out on the computer that she needed satellite access (so that RR would see it…)  He put his arm on the back of her chair, and tapped his thumb against her back, all the while continuing small talk with Jin.  He was communicating to Lizzie using Morse Code ya’ll! And that? Kicks ass.  

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After the first set of taps, she typed out that there wasn’t enough time to deliver in person, that the agent would be killed.  He tapped again and she typed out that she needed access to Jin’s computer and asked if he had any suggestions, to which he threw the word “distraction” into his small talk, and she typed “Yes - distract them!”

RR walked over to the security monitors and started freaking out that Wujing had put them in danger, that there was an FBI van right outside, etc.., etc.., and while all of this was going on (Wujing ordered one of his minions to check the van out, etc..,) Lizzie inserted the “remote mirroring program” chip into Jin’s USB port (that totally sounded dirty to techie nerds!)

The satellite program worked and they were able to decode the file (and a lot more according to the FBI/CIA IT guy next door) from Jin’s computer.  The next victim for Wujing to kill was named Henry Cho, however it turns out, Henry was not an Agent.  Henry Cho is actually an architect that owns a pretty major construction company and the CIA asked for his help because he was contracted to build some Chinese government building in Shanghai. 

According to his passport, he was currently in DC and not Shanghai, so after a quick call to a stupid receptionist at Cho’s company, Wujing tells her Cho’s brother’s been in an accident and he must reach him and she tells him where Cho is at (with his son).  Wujing orders his minions to that location at the same time Ressler and Malik are doing the same.

Meanwhile, RR and Lizzie are like, “OK so…we have to be going now…” and Lizzie has an opportunity to motion that she needs to grab that remote satellite mirroring chip from Jin’s computer, but RR says to leave it. Suddenly, alarms start going off in the room and Wujing emerges from his office saying that their system is set up to inform them if any communication to a government server takes place from one of their systems.  He says that RR must have been right about the FBI being there, only they weren’t outside but rather right there in his dungeon, to which RR warns him to be careful about who and what he’s accusing.  Wujing assures him that it’s not HIM he’s accusing but rather Lizzie and his minions run up and have their guns pointed at her.  

Wujing says he knows exactly who the traitor is, and we’re supposed to believe he thinks it’s Lizzie but he turns around and punches Jin to the ground, then proceeds to beat the ever loving crap out of him.  At one point, Lizzie almost (stupidly) thinks she needs to step in and stop him, but RR stops her from doing so.  Wujing stands up from the beating, grabs Jin’s laptop and slams it to the ground, which is when Jin notices the little chip thing that Lizzie inserted and JUST as he’s about to point this out to Wujing, RR snags a gun from a close standing security person and BAAAAAAM!!!   Shoots Jin dead.

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Wujing, who I’m assuming wanted to question Jin some prior to killing him, grabbed a gun and pointed it at Lizzie saying “You killed one of mine, now I kill one of yours” and RR basically tells him that Jin was useless to him, that Wujing would’ve beat on him for 20 more minutes before killing him himself, but that killing Lizzie would be bad for business, making contractors think that they shouldn’t work for him.

Wujing thinks it over and decides RR’s right and that they need to get out of there because the FBI will be there shortly, so he leads them out via a different exit and they jump into a truck with Wujing, who drops them off after a few minutes.  

While all of this was going on, Agent Malik was able to reach Henry Cho on his cell phone just in time to warn him about Wujing’s men coming after him, she instructs him to hide and just as they hang up, the elevator is coming to their floor.  Henry grabs his young son, they high tail it to a flight of stairs and go to the floor below where the bad guys now are.  He hides his son under a construction/paint tarp on the balcony, instructing him not to come out, kisses him on the forehead and then tries to run and hide himself when the elevator appeared.  The bad guys are searching for him when Malik and Ressler arrive.  Ressler engages in a fight scene with one of them, who he ends up flailing over the side of the balcony off the building (another running theme of this show!!)  He starts fighting a 2nd bad guy when a 3rd finds Henry Cho’s son, so Henry Cho comes out of hiding and just as bad guy #3 is about to shoot Cho, Malik shoots him and Ressler beats #2 unconscious.  All is well and Malik actually says to Henry Cho, “Thank you for helping the CIA.”  Uh…… yeah…. no problem!  

Back to Lizzie & RR:  turns out Lizzie removed her nicotine patch tracking device and stuck it on the door of Wujing’s vehicle prior to them getting out, so the FBI were able to bust him afterall.  She and RR had a conversation about their agreement: her help in exchange for him telling her why he chose her and he said “Because of your father.”  She asked him what he meant by that and did he know her father, and he responded that he wished the answer were as simple as it seemed, which annoyed her and she got out of the car (probably the most unrealistic thing someone would do in this scenario, no?)  

Back at the FBI offices, Ressler tells Lizzie, “I may have had doubts about you but what you did today was good work…. if you couldn’t handle this job, Cho wouldn’t be alive. Whatever else went down you should feel good about that.” When he leaves her office, she sits down and sees the ballistics report on the bullet from Tom’s secret box gun on her desk.  

We then see her drive home, and after pulling up in her car, she grabs the ballistics report, opens it and finds “Classified Information” as the “results” on the bullet.  Wuh wuhh wuhhhhhhhhhhhh!!

However back at the FBI, Ressler goes to Cooper’s office and tells him that because of his suspicions about Lizzie, he put in an order that anything she requested should be reported back to him, so he, too, received a report about the bullet. He told Cooper that at her level, the information was classified, but not at their level.  Cooper opened the file and said “This isn’t just classified - the debriefings on this homicide include the Secretary of Homeland Security!”  He asked Ressler who else knows about this and the scene cuts to Lizzie walking in to her apartment to find they’re having a little party, she’s told, to celebrate Tom being alive still.

Back at RR’s hotel, he opens the envelope that he was given by Wujing as payment for decoding - which contained only this:

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And finally, back at La Casa de Keen, Lizzie and Tom have a brief conversation whereby he apologizes for asking about the man who stabbed him, saying that he gets that she can’t tell him shit because of her job.  He’s then wheeled away by a friend, and Lizzie’s left standing in the middle of a room full of people, but looking as though she feels completely alone.

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The camera then pans out to directly across the street where we see the apple-eating man from earlier watching a bunch of security monitors of their apartment.  And, as usual, the episode ends with the viewers having 432 more questions and no answers.  


SPECIAL ANNOUNCEMENT:  Because Spader’s character Raymond Reddington has such awesome 1-liners in this show (excellently written by the show’s writers but brilliantly executed by Spader) - I will be doing a weekly “Kick Ass Reddington Quotes” series of articles for each episode, beginning with this episode.  Keep your eyes peeled for Episode 3’s Kick Ass Reddington Quotes article - - which will be posted soon!!    


Have a tutti fuckin frutti day,
-BZ

7 years ago, 2 notes
Tagged: the blacklist, blacklist, reddington, blacklist recap, james spader,
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